短句子网1.求西敏寺墓碑的那句话“当我年轻的时候,我梦想改变这个世界
大致翻译过来可以是这样的
当我年轻自由的时候，我的想象力没有任何局限，我梦想着改变这个世界；当我渐渐成熟明智的时候，我发现这个世界是不可能改变的，于是我将眼光放得短浅了一些，那就只改变我的国家吧，但是我的国家似乎也是我无法改变的；当我到了迟暮之年，抱着最后一丝努力的希望，我决定只改变我的家庭、我亲近的人——但是，唉！他们根本不接受改变。现在在我临终之际，我才突然意识到：如果起初我只改变自己，接着我就可以依次改变我的家人。然后，在他们的激发和鼓励下，我也许就能改变我的国家。再接下来，谁又知道呢，也许我连整个世界都可以改变。
据说这段话是威斯敏斯特大教堂（前一段时间威廉王子举行婚礼的地方，可以算是英国皇家大教堂了，历任英王都在那里举行加冕仪式。）旁边一位教士墓碑上的话，但是后来有人考证说，根本没有这个墓碑。
2.求叶芝墓碑上的诗的英文原文
英文原文是：Cast a cold eye,on life,on death,horseman,pass by!
汉语意思：对生活，对死亡，投上冷冷的一眼，骑士呵，向前！
出处：晚年作品《在本布尔山下》。
全文：
Under bare Ben Bulben's head
In Drumcliff churchyard Yeats is laid.
An ancestor was rector there
Long years ago,a church stands near,
By the road an ancient cross.
No marble,no conventional phrase;
On limestone quarried near the spot
By his command these words are cut:
Cast a cold eye
On life,on death.
Horseman,pass by!
中文译文：
在光秃秃的本布尔本山头下面，
叶芝躺于特拉姆克力夫墓地中间。
一个祖先曾是那里的教区长，
许多年之俞，一座教堂就在近旁，
在路旁，是一个古老的十字架，
没有大理石碑，也没有套话；
在附近采来的石灰石上，
是按他的指示刻下的字样：
对生活，对死亡
投上冷冷的一眼
骑士呵，向前！
扩展资料：
作品风格
叶芝的早期诗歌属于自十九世纪发展而来的英国浪漫主义传统，但由于其爱尔兰背景，他的早期诗歌以其独特的爱尔兰题材而有别于英国浪漫主义诗歌。
这两者的结合产生了叶芝独特的早期风格：韵律感强烈，充满柔美、神秘的梦幻色彩；诗中所述人物则多为爱尔兰神话与传说中的英雄、智者、诗人以及魔术师等。
同时，这些诗表现出一种忧郁抒情的氛围，笔触颇似雪莱。对于年轻敏感的叶芝而言，诗就是梦，梦能保护俗世中的诗人，而他从孩童时就沉浸于其中的爱尔兰神话与民间故事则是他寻梦的遥远去处。
这一时期的主题大多为回忆和梦想，其顶峰之作也许就是“茵尼斯弗里岛”。此诗可谓叶芝白日梦的杰作，实际上反映的是诗人对故乡爱尔兰的一种思恋情绪。其广为传诵的部分原因也许就在于其彻底的浪漫主义主题和独特的语言风格。
参考资料来源：百度百科-威廉·巴特勒·叶芝
参考资料来源：百度百科-在本布尔山下
3.求叶芝墓碑上的诗的英文原文
Swear by what the sages spoke Round the Mareotic Lake That the Witch of Atlas knew, Spoke and set the cocks a-crow. Swear by those horsemen, by those women Complexion and form prove superhuman, That pale, long-visaged company That air in immortality Completeness of their passions won; Now they ride the wintry dawn Where Ben Bulben sets the scene. Here's the gist of what they mean. II Many times man lives and dies Between his two eternities, That of race and that of soul, And ancient Ireland knew it all. Whether man die in his bed Or the rifle knocks him dead, A brief parting from those dear Is the worst man has to fear. Though grave-diggers' toil is long, Sharp their spades, their muscles strong. They but thrust their buried men Back in the human mind again. III You that Mitchel's prayer have heard, 'Send war in our time, O Lord!' Know that when all words are said And a man is fighting mad, Something drops from eyes long blind, He completes his partial mind, For an instant stands at ease, Laughs aloud, his heart at peace. Even the wisest man grows tense With some sort of violence Before he can accomplish fate, Know his work or choose his mate. IV Poet and sculptor, do the work, Nor let the modish painter shirk What his great forefathers did. Bring the soul of man to God, Make him fill the cradles right. Measurement began our might: Forms a stark Egyptian thought, Forms that gentler phidias wrought. Michael Angelo left a proof On the Sistine Chapel roof, Where but half-awakened Adam Can disturb globe-trotting Madam Till her bowels are in heat, proof that there's a purpose set Before the secret working mind: Profane perfection of mankind. Quattrocento put in paint On backgrounds for a God or Saint Gardens where a soul's at ease; Where everything that meets the eye, Flowers and grass and cloudless sky, Resemble forms that are or seem When sleepers wake and yet still dream. And when it's vanished still declare, With only bed and bedstead there, That heavens had opened. Gyres run on; When that greater dream had gone Calvert and Wilson, Blake and Claude, Prepared a rest for the people of God, Palmer's phrase, but after that Confusion fell upon our thought. V Irish poets, earn your trade, Sing whatever is well made, Scorn the sort now growing up All out of shape from toe to top, Their unremembering hearts and heads Base-born products of base beds. Sing the peasantry, and then Hard-riding country gentlemen, The holiness of monks, and after Porter-drinkers' randy laughter; Sing the lords and ladies gay That were beaten into the clay Through seven heroic centuries; Cast your mind on other days That we in coming days may be Still the indomitable Irishry. VI Under bare Ben Bulben's head In Drumcliff churchyard Yeats is laid. An ancestor was rector there Long years ago, a church stands near, By the road an ancient cross. No marble, no conventional phrase; On limestone quarried near the spot By his command these words are cut: Cast a cold eye On life, on death. Horseman, pass by！ 班磅礴山麓下1 凭着围绕马理奥提克的轻波的 那些圣人所说的一切，起誓说， 阿特勒斯的女巫确确实实知道， 讲了出来，还让一只只鸡叫。
凭着那些骑士、女人——体形和肤色 都证明了他们真是超人，起誓说， 脸色苍白、面容瘦长的伴侣， 永远、永远充满了生机的空气， 赢得了他们激情的完整； 此刻，他们疾驶在冬日的黎明， 本布尔本山是他们身后的景致。 这些，是他们想说的要旨。
2 许多次，一个人死，一个人生 在他们那两个来世之中， 民族的来世，灵魂的来世， 古老的爱尔兰熟悉这一切. 无论人是死在他的床上， 或送他命的是一声枪响， 与亲爱的人们的暂时分离 是人都恐惧的最糟的事。 虽然挖坟者的劳作悠长， 他们的铁锹锋利，肌肉强壮， 他们只是把他们埋葬的人 重新推进了人类的思想中。
3 你听到过米切尔的祷告声声： “主呵，结我们的时代带来战争！” 你知道，当一切话儿都已说完， 而一个人正在疯狂地鏖战， 从早巳瞎的眼睛里落下了什么， 他完整了他不完整的思索. 于是有一会儿站得消停， 高声大笑，心里一片宁静。 甚至最聪明的人在使命实现、工作认识、伙伴选择之前， 也全因为某种暴力行为， 心里总是感到那么惴惴。
4 诗人和雕塑家，干你们的工作， 别让那种时髦的画家一味去躲 他的伟大的祖先曾做过的事， 把人的灵魂给上帝带去， 使他把摇篮正确地填好。 衡量开始了我们的力量， ——个典型的埃及人把形状思想， 温和的费迪阿斯做出的形状。
在西斯汀教堂的屋顶中， 米开朗琪罗留下了证明； 那里，只是一个半醒的亚当 就能够使走遍地球的女人惶惶， 最后她的内心一片激情洋溢， 证明有一个预先确定的目的， 在那秘密工作的思想之前， 人类的完美实际上平凡。 十五世纪的意大利。
4.急求一些著名的碑文,如美国犹太人屠杀纪念碑上的短诗,世界上最著
美国犹太人屠杀纪念碑上的短诗
" In Germany, they first came for the Communists,
and I didn't speak up because I wasn't a Communist.
Then they came for the Jews,
and I didn't speak up because I wasn't a Jew.
Then they came for the trade unionists,
and I didn't speak up because I wasn't a trade unionist.
Then they came for the Catholics,
and I didn't speak up because I was a Protestant.
Then they came for me,
but by that time, there was no one left to speak up."
在美国波士顿犹太人屠杀纪念碑上，铭刻著一位叫马丁.尼莫拉（Martin Niemoller）的德国新教牧师留下的发人深省的短诗。尼莫拉曾是纳粹的受害者：
在德国，起初他们追杀共产主义者，我没有说话———因为我不是共产主义者；
接着他们追杀犹太人，我没有说话———因为我不是犹太人；
后来他们追杀工会成员，我没有说话———因为我不是工会成员；
此后他们追杀天主教徒，我没有说话———因为我是新教教徒；
最后他们奔我而来，却再也没有人站出来为我说话了。
这块墓碑上，刻着这样的一段话：
When I was young and free and my imagination had no limits,I dreamed of changing the world.
As I grew older and wiser, I discovered the world would not change, so I shortened my sights somewhat and decided to change only my country. But it, too, seemed immovable.
As I grew into my twilight years, in one last desperate attempt, I settled for changing only my family, those closest to me, but alas, they would have none of it.
And now, as I lie on my deathbed, I suddenly realize:
If I had only changed myself first, then by example I would have changed my family.
From their inspiration and encouragement, I would then have been able to better my country, and who knows, I may have even changed the world.
译文是：
当我年轻的时候，我的想象力从没有受到过限制，我梦想改变这个世界。
当我成熟以后，我发现我不能改变这个世界，我将目光缩短了些，决定只改变我的国家。
当我进入暮年后，我发现我不能改变我的国家，我的最后愿望仅仅是改变一下我的家庭。
但是，这也不可能。
当我躺在床上，行将就木时，我突然意识到：
如果一开始我仅仅去改变我自己，然后作为一个榜样，我可能改变我的家庭；
在家人的帮助和鼓励下，我可能为国家做一些事情。
然后谁知道呢？我甚至可能改变这个世界。
转载请注明出处短句子网 » 外国墓碑上的关于改变的诗句